It is made extremely clear to the readers of John Gay’s The Beggar’s Opera that the play has
several main themes. These include money, possessions and women, and what is fascinating
to see is how John Gay links the former with the latter in order to show that
women are often treated like property or possession, like money. In The Beggar's Opera, Gay likens women to
money in order to explore a woman’s worth in eighteenth-century society.
A prime example of this can be found in Air 5 of the
Opera when women are compared to gold, “A maid is like the golden ore” (Act I). A married woman is then likened to a minted
Guinea whose “worth is never known, before it is tried and impressed in the
mint” (I, v). In Air 5 Gay relates the stamping of new coins to a woman taking the last name of her husband and he even claims that “a wife's like a
guinea in gold, stamped with the name of her spouse” (I, v).
Mrs Peachum states that men are attracted to “minted”
women because their values have already been determined and she herself even
refers to women as property, claiming that “All men are thieves in love, and
like a woman the better for being another's property” (I, v). Women are
referred to as money or as a material possession that “..is bought, or is
sold...” (I, v). It is interesting to note that this reference, written by John
Gay, is highly relevant to the time in which the play was written, as, during
the eighteenth century, money was seen as a major symbol of status.
Polly’s decision to marry a low-class man is seen by Mrs
Peachum as a failure on her own part as she believes that her daughter is
lowering her worth by marrying a highwayman. “How the mother is to be pitied
who hath handsome daughters! Locks, bolts, bars and lectures of morality are
nothing to them” (I, viii). During the Restoration period in England a strong
sense of morality was seen as the perfect symbol of a well-bred family and it
is therefore highly disappointing for Mrs Peachum to realise that her daughter
has failed to pay attention to this social indicator. Polly’s parents hope that
their daughter will not choose a man who brings no benefit to the family’s
honour within society and wish that she would find a wealthier man who can be
trusted with the family’s finances.
It is refreshing to see that contrary to older
philosophies that regard women as worthless objects without men, Air 5 suggests
that instead of creating and giving value to a woman, the man simply shapes it.
Marriage is represented as a way of upgrading or degrading a woman’s initial
value and as Mrs Peachum herself recognises this, she worries that her
daughter's change in value will become permanent through marriage. It is
therefore not the relationship itself, but marriage that causes problems.
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Kidson, Frank. "'The Beggar's Opera'." The Musical Times. 62. 937 London: Musical Times Publications Ltd., Mar. 1, 1921. (167-169)
COMMENT:
ReplyDeleteInteresting post on the objectification of women, Luis. Nevertheless, I don't agree with you in seeing honor as the Peachum's main motivation to oppose their daughter's marriage to MacHeath. I believe their attitude is mostly a product of their mistrust of one of their own kind. MacHeath is as much a double-dealer as Mr. and Mrs. Peachum are.
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